Why Sholay, Deewar and AAA not included, Read on:
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Bachchan classics missing at US festival!
The shocking omission of three Bachchan classics Deewaar, Sholay and Amar Akbar Anthony from the Lincoln package raises several questions about the superstar's vast repertoire and how it needs to be harnessed for retrospective purposes.
Jaya Bachchan who went all-out to get the best films into this posh retrospective is very upset by the way doors were shut on the face of a festival that's important and prestigious for the entire film industry.
Says Mrs Bachchan, "We managed to get Anand, Saudgar, Zanjeer, Abhimaan, Satte Pe Satta, Namak Halaal, Agneepath, Aks, Aankhen, Dev, Khakee and of course Black. But we couldn't get three of the most important films."
Apparently the distributor of Amar Akbar Anthony, Rajiv Rai who holds the world rights of Deewaar and Ramesh Sippy's nephew Sasha Sippy who owns the rights of Sholay proved impediments in making the festival complete. Sighs Jaya, "It's been a herculian task to collect the films for the festival. Most producers have been very kind and generous. Unfortunately some of them haven't seen the importance of the retrospective."
"I had major problems with Amar Akbar Anthony, Deewaar and Sholay. It's such a pity…but these are landmark films of Amitabh Bachchan. They won't be shown at the festival in New York. These are three classics that are an integral part of Amitji's repertoire. I offered to pay for the print, subtitling…everything. That's what I did with many of the film including Anand, Abhimaan, Saudagar, Zanjeer."
"I've promised to preserve them and not use them for commercial purposes and every time I take them out of the country I'll inform the producers. I was willing to follow the protocol. Unfortunately it wasn't enough for some. What can we do? It's a problem we'll face whenever there's a festival of Amitabh Bachchan's films."
The prestigious package handpicked by the biggest connossieur of Bachchan flicks, Jaya Bachchan contains 12 of the actors vintage neo-classics from Anand (1970) to Black (2005). In between these two brilliant brackets are such favourites of Jaya as the little-known Saudagar directed by celebrated art director Sudhendu Roy, today's hot shot art director Sharmista Roy's father.